Category Archives: British fashion

The Vogue Festival: Paul Smith ‘Fashion and Personality’ with Alexa Chung

Vogue Festival Paul Smith and Alexa Chung

Vogue Festival Paul Smith and Alexa Chung

Vogue Festival Paul Smith and Alexa Chung

It was with the above message that Sir Paul Smith took to the stage at the Vogue Festival. ‘This bit is quite serious,’ he said. ‘A lot of you out there are in the creative industries. And please don’t take what I’m about to say negatively. There are a lot of designers out there,’ he mused. ‘We don’t need any more designers, so you’ve got to have something that makes you stand out. You’ve got to have a point of view. You can find inspiration in everything and if you can’t you’re not looking properly. Look and see – don’t just look.’

And in one magical hour last weekend, he showed us how to see as well as look. Beginning the talk with a mini lecture offered an intriguing insight into his own methods and the hot topic of the day – inspirations. ‘Think laterally and have a point of view – look at other brands or magazines, at what’s already going on. That’s like buying yesterday’s newspaper.’

The audience hung on his every word – what’s his secret? Where does he store this mythical pot of inspiration and how can we all get a bit? Of course, he had already given the answer – everywhere. ‘All sorts of things can bring inspiration. Art, architecture, travel, humour… Don’t just keep looking at those screens all the time because you’re not observing life on the street’.

Vogue Festival Paul Smith and Alexa Chung

After more than 40 years at the forefront of fashion – a career that was itself a lucky accident – his passion for design and love of life is infectious. The two are very much connected for him I feel. Rather appropriately the talk was entitled ‘Fashion and Personality’, an adjective that sums up Paul Smith, man and brand. The word ‘brand’ always sounds like ugly marketing speak, but in this case I feel the clothes are the man personified. His boundless energy, sense of fun, joie de vivre and colourful character shine through in every garment, and have earned him the title of ‘one of the country’s most successful designers’, as he was described in Vogue Editor-in-Chief Alexandra Shulman’s introduction.

Sir Paul’s interviewer was another of fashion’s big personalities, much to the audience’s palpable excitement – broadcaster and style icon Alexa Chung. They proved the perfect duo, bouncing off one another as Chung quizzed the designer on what it takes to reach the forefront of fashion – and stay there. Sir Paul’s articulate responses to her questions made it clear why, demonstrating most significantly his deep understanding of the role of the designer, which I think definitely anticipated the now multi-faceted nature of the contemporary role. ‘It’s about many things, not just designing’ he explained. ‘Communication – talking to people, spreading the word. Individualism is vital; every street in the world now is looking the same. Personality, of course, and quality, never underestimate the quality of your work.’

Vogue Festival Paul Smith and Alexa Chung

It would be easy to see how such a positive, spirited character might become jaded by a notoriously critical industry or wearied by its relentless pace. Not Sir Paul – who remains level-headed and diplomatic as ever. ‘It’s very much about life, being successful in creative industries. It’s about understanding that the river flows in a different direction all the time. Fashion’s about today and tomorrow. Nobody cares how good you used to be.’

The way that Sir Paul looks and sees has developed a unique vision, without pandering to the whims of fashion. This clarity and true understanding of the world around him has ensured his longevity and will continue to do so.

Vogue Festival Paul Smith and Alexa Chung

Quizzed about becoming a Sir (‘It’s a bit weird’), being put on the spot about his successor (‘I’m far too young to even start thinking about it!’), talking lovingly about his wife, Pauline (‘She’s always been very inspirational.’) and being upfront about the bitchiness of the fashion industry (‘Theres a lot of bad behaviour in this industry. People have got to realise we’re all on the earth and we’re all equal. They need a good slap round the head a lot of those people!’) – I fell for his charm. He’s just a lovely, refreshingly normal man with a cracking sense of humour and an attitude to life we could all learn from.

Vogue Festival Paul Smith and Alexa Chung

The Vogue Festival: So You Think You Want To Be A Designer?

The Vogue Festival 2013: So You Think You Want To Be A Designer?

As part of my job, I’ve been lucky enough to attend some amazing events in the last year – the most recent of which being the Vogue Festival, in association with Vertu, where I was reporting on behalf of the sponsor.

One of the hottest ticket talks of the weekend was also the first of the festival, ‘So You Think You Want To Be A Designer?’ where Vogue Editor-in-Chief Alexandra Shulman led a discussion between Jonathan Saunders, JW Anderson, Mary Katrantzou and Erdem Moralioglu. It was a crash course on the trials, tribulations and triumphs of a young designer, covering all areas from inspirations and influences to the realities of running a business.

The Vogue Festival 2013: So You Think You Want To Be A Designer?

It was fascinating to hear about the designers’ diverse backgrounds and differing routes into the industry. Erdem wanted to be a fashion designer from a young age – he even recalled being inspired by the Nutcracker as a child when he was just six years old. On the other hand, JW Anderson initially wanted to be an actor. ‘It was an organic process of rejection – I ended up landing in the costume department and then fell in love with it, with the idea of duplication. I became obsessed by it.’

Discussion quickly turned to the designers’ adopted home of London and how the status of the city as a fashion capital, with a growing reputation for its creativity and innovation, is impacting on their work. ‘I think there’s so many eyes looking to London now,’ explained Erdem. ‘When Burberry started to show here so many things changed, the press and buyers that would come, and with this comes a certain amount of pressure. I think after every season all of us feel that more. It’s like trial by fire, you learn as you go along.’

The Vogue Festival 2013: So You Think You Want To Be A Designer?

There was certainly an obvious camaraderie between the designers. ‘The wonderful thing about London is that you can start a business without a structure, we started from our bedrooms, you’re able to start a brand from nothing here,’ said Saunders. ‘You’re suddenly put out there, you start the business when you have no business skills and have to learn very fast. It’s wonderful to have the support network from press and stores but you quickly have to fit into an existing infrastructure.’

JW Anderson spoke articulately about the allure of London and the creative spirit it embodies. ‘In London, there’s a risk element, it’s not dictated by a trend book. London has never been out to please. For young designers and growing companies it’s the best platform in the world. Creativity will always win.’ Erdem agreed that the calibre of teaching in the UK nurtures this creativity, and Katrantzou spoke about the appeal of Central Saint Martins’ Professor Louise Wilson. ‘She was the one that helped me find my own style,’ she said of the influential fashion figure.

The Vogue Festival 2013: So You Think You Want To Be A Designer?

The balance between creativity and commerce seemed to be a bit of a theme of the weekend (more on that later) and all four designers are at an interesting crossroads in this respect. As Alex Shulman interestingly added in her introduction, the major fashion conglomerates are now looking for their very own Christopher Kane. The four designers discussed the topic of expansion, and working within a growing team. ‘You reach a point where you’re forced to delegate, whether you want to or not, because of the way your business grows,’ said Katrantzou. ‘I hate letting go but as you get more you find the right people who can see your viewpoint and make it easier’ added Anderson.

It was certainly clear that while talent, hard work, geography and sometimes sheer luck play a part in success as a fashion designer (however you want to measure that is another post in itself), the designers’ unwavering commitment to their vision and true understanding of the people they design for really shone through. ‘I think for me print and especially coming out of London, where so many designers work with print really successfully, has really helped me push the boundaries of print,’ Katrantzou said of her hyperrealistic aesthetic. ‘I think women buy print for more than its properties, they make an aesthetic choice and a design decision.’

The Cambridge Satchel Company: Oxblood 14-inch Satchel

Cambridge Satchel Company Covent Garden Shop

Cambridge Satchel Company Covent Garden Shop

Cambridge Satchel Company Covent Garden Shop

Cambridge Satchel Company Covent Garden Shop

Cambridge Satchel Company shop Covent Garden

When I heard that the Cambridge Satchel Company had plans to open a permanent shop in Covent Garden, after the success of their London pop-up at the end of last year, I was over the moon. I was lucky enough to interview the lovely Cambridge Satchel Company founder Julie Deane a few weeks ago (more on that soon!) and heard all about the plans just before the shop opened – excited doesn’t even cover it. Unfortunately, I missed the store’s grand opening as I was unwell, but I took time out between shows and presentations during London Fashion Week to pay a visit.

To think how far Julie has come from her kitchen table, where she founded the business just five years ago, is mind-boggling. The iconic satchels now have a global following and are stocked in 100 countries around the world with a vast fashion following and wealth of celebrity fans. But I won’t go on – I’ll let Julie do the talking about the company when I post the Q&A very soon.

Cambridge Satchel Company Covent Garden Shop

Cambridge Satchel Company Covent Garden Shop

Cambridge Satchel Company Covent Garden Shop

The new shop is in the Seven Dials area and is an absolute delight. It’s the perfect extension of a carefully-crafted and much-loved brand. The shop has a real boutique feel and the stock is beautifully displayed on simple bookcase-style shelves and antique tables with row upon row of satchels in almost every hue imaginable. It was like a grown-up version of a sweet shop, but with treats that will last much longer than a sugar – or a fast fashion – fix.

The staff were incredibly friendly and happy to help find your perfect satchel (or just let you admire them if you’re not looking to part with your pennies!) and I think the Blogger Lounge (though I am biased) is a brilliant idea. Now, I enjoy online shopping as much as the next person, but there was something so special about making my trip to the shop, browsing the satchels and picking out mine that beats clicking ‘add to bag’.

I thought the embossing station was a genius idea too – the in-store embosser is ready to emboss the lettering of your choice onto your satchel for a small fee. A beautiful personal touch that many shoppers (and there were many when I went!) decided upon, including me. Meet my new satchel…

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

I’ve always had a soft spot for the Cambridge Satchel Company. I had a very similar satchel for school myself, so you could say this love stems from childish nostalgia – and I’m sure I’m not alone here. The bags are beautifully made – each is hand-crafted in Britain using traditional techniques, a real testament to British craftsmanship. Each is a labour of love, and the product of Deane’s singularity of vision, enviable business-mind and frankly commendable brand-building! A real piece of fashion history in years to come, I think.

I’ve been wanting to get my hands on a Cambridge Satchel since they first came onto my radar a few years ago, and decided to finally treat myself to the style I’ve been coveting for some time: the 14-inch satchel in oxblood. I was torn between the traditional muted colours and something more colourful, so this for me was a good balance between the two – richly hued but subdued enough to fit in with my everyday wardrobe, and not too ‘fashiony’. And you do know my love of burgundy and berry shades! I know I will wear it to death – and I’m sure it will only get better with age. I couldn’t resist getting my initials embossed in silver to match the buckles as a final flourish.

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Which colour would you go for? I’d have one in every shade if I could! What do you think about the Cambridge Satchel Company story?

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

Cambridge Satchel Company Oxblood 14-inch satchel

We took these shots at the hidden gem that is our local nature reserve, Parkland Walk. Tucked away at the end of our street is the entrance to a leafy walkway that goes all the way from Highgate to Finsbury Park (Parkland Walk South) and on to Ally Pally (the North part). It was once going to be used as a railway line and there is even an abandoned station, known by locals as the ‘ghost station’ – spooky! The perfect spot for some blog-snapping, expect to see more of this leafy backdrop in future posts, as it’s become our go-to location for a Sunday stroll.

Cambridge Satchel Company Oxblood 14-inch satchel

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

One trend I’ve noticed gaining momentum recently is a return to separates. A designer who perfectly encapsulated this mood for autumn/winter was Joanna Sykes. Her debut collection for Nicole Farhi delicately balanced traditional tailoring with feminine softness.

Sykes was appointed Creative Director of the house last September and her first collection has been highly anticipated. With a background at Giorgio Armani, Alberta Ferretti and latterly as Creative Director at Aquascutum, I was keen to see what she would bring to the brand. On the Sunday of London Fashion Week I had the privilege of viewing her first offerings for Nicole Farhi up close at the brand’s Mayfair HQ.

Inspired by the label’s roots, Sykes presented a collection of separates that was strongly influenced by a menswear but most definitely cut for real women. ‘All of a sudden it’s about separates and flats, not dresses and heels,’ said Sykes. This was a starting point for the collection, focusing on outerwear and knitwear, especially what Sykes described as ‘great coats’. This was a real highlight for me. Tailoring was traditional and often quite mannish (even slightly oversized in places), which lent the collection an androgynous vibe. However, fabric and finish gave each piece a feminine edge: soft jersey (more on that later), leather and fur detailing.

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

According to Sykes, another key focus of the collection was texture. Knitwear displayed rich textures (just look at the close-ups below): graphic patchwork, contrasting burgundy and cream chevron stitches, oversized Mouliné and giant tweed jacquard. Chunky knitwear balanced silky separates and soft layers.

Sykes was keen to highlight the use of jersey throughout the collection; this was a nod to the houses’s heritage, synonymous with Nicole Farhi’s designs and with menswear more generally. The fabric enabled the designer to create soft, tonal tailoring, which she described as ‘sexy and flowing, not stiff’. The designs are elegant, with the added bonus of the comfortable qualities of a stretch fabric.

The designer also enjoyed playing with proportion, such as the longer sleeves seen on several looks, which further contributed to the mannish aesthetic. Shirts were crisp and oversized with crisp double cuffs, and the traditional cummerbund was deconstructed to create an exaggerated peplum silhouette.

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Dresses were cut as straight columns, and layered with almost architectural-style panelling and texture. Exaggerated leather cuffs added toughness. Skirts were also slouchy – shift-like and relaxed, and cut to the ankle. Shirts introduced an element of softness, hand-painted on silk crepe. Tuxedo stripe panels were inspired by traditional tailored waistbands – I just loved the silver style suit trousers with contrasting braid.

The tonal colour palette complemented the subdued mood of the collection with nude, charcoal, winter whites with highlights of deep burgundy, spruce green and soft lilac.

As Sykes talked me through the collection, I was struck by the sheer craftsmanship on display. This is luxury that doesn’t shout from the roof-tops – in fact, that word, with all its ostentatious connotations really doesn’t do this collection justice. You just have to look at the details and textures in the below shots to see that.

It’s an exciting time for the house and for Sykes to deliver such a strong collection at this initial ‘transitional’ stage, and staying true to the house’s signature style while making her own mark, is incredibly promising.

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Nicole Farhi AW13

Designer Spotlight: Hayley Scanlan

Hayley Scanlan

Hayley Scanlan

Hayley Scanlan

Hayley Scanlan

Just a few weeks ago I blogged about Edinburgh Online Fashion Week and Scottish design talent. It’s an exciting time for Scottish fashion and our home grown designers, many of whom have gained a following recently.

Dundee-born Hayley Scanlan is one such talent. Scanlan specialises in womenswear and is known for her clean, unfussy silhouettes and bold prints – she designs all of her own unique, printed fabrics. Each garment’s signature hand-embellishment is testament to the designer’s  attention to detail. Scanlan learnt her craft at an early age, under the direction of her grandmother before she was formally trained in printed textile design at Duncan Jordanstone College of Art in Dundee and interned as a print designer at Jeremy Scott in Beverly Hills. Her graduate collection ‘New Frontiers’ (pictured above) caught the eye of supermodel Erin O’Connor who commissioned Scanlan to make a custom studded leather jacket.

Scanlan set up her eponymous womenswear label in 2011 (and amazingly, that same year she gave birth to twin boys too). Since then, her designs have won many high profile fans including Jessie J, Marina Diamandis and girl groups Stooshee and Little Mix. Earlier this year Scanlan received the highly coveted Young Designer of the Year Award at the Scottish Fashion Awards; to have achieved so much at this stage of her career is commendable.

This year, Scanlan set up her studio in her hometown of Dundee and became an official ambassador for the city. I love how she stays true to her roots and her homeland – something that really inspires me. And she’s showing no signs of slowing down; just a few weeks ago Scanlan launched her diffusion line, HS, with a runway show at the V&A in Dundee. Fans, friends and family often approached Scanlan via social media requesting designs. She took the hint and decided to design a more affordable, wearable range that reflected the aesthetic of the mainline collection in simpler fabrics.

The debut diffusion collection ‘Velvet Venom’ features Scanlan’s contemporary, streamlined silhouettes and bold prints including graphic stripes, abstract snakeskin and mock croc prints. The simple cuts and bright block hues let the print do the talking, with some signature Scanlan embellishment added into the mix. The HS collection is available to buy on the Hayley Scanlan website, which launched alongside the diffusion line.

Here’s a few shots from the ‘Velvet Venom’ diffusion collection – you can check out the collection in its entirety here.

Hayley Scanlan

Hayley Scanlan

Hayley Scanlan

Hayley Scanlan

p.s. Make sure to check out awesome Dundee street style blog Delta Street Style for some fab street style pics from the HS launch

Images courtesy of Hayley Scanlan

We Are The Champions (Part Two)

One of my favourite things about vintage fairs, markets and festivals is the people watching. I love to see the different ways people re-interpret vintage influences or channel retro elements in their style. Hopefully I’ve demonstrated the eclectic mix of styles at Judy’s Affordable Vintage Fair this weekend as I made a conscious effort to record a diverse selection of outfits! Part one of my Judy’s at Spitalfields street style post had a great response – thank you! Here are the rest of the prize-winning outfits…

This was one of my favourite outfits, particularly as the more I looked, the more styling surprises were revealed! For example, these gorgeous pink daisy print trousers are actually a jumpsuit fashioned into a pair of high waisted trousers – two outfits for the price of one! I made a mental note to try that tip, I think it looks really cool with the bralet especially with the clashing floral patterns. I really like the way a ladylike blouse has been knotted at the waist and used as a chic cover-up too. I also loved these tweed detail brogues, but then we all know I’m a sucker for a good brogue…

This lovely retro ’70s style paisley print initially caught my eye. A little unusual for a men’s shirt and I liked the combination of a casual untucked shirt with tapered chino trousers too, cleverly styled with a vintage scarf as a belt. John Lennon glasses finished a casual but put-together outfit.

More polka dots! This time mini ones on a retro midi-length tea dress, very 1940s. The dress was styled simply with mainly black pieces, a black cardigan, cross-body bag and mid heel that let the print do the talking. Accessories let the wearer’s personality shine through – a ladylike headpiece, lace print glasses and a slick of red lipstick.

Scarf print shirts are big news this summer and I saw several vintage versions at the fair. This green and blue Versace-esque style makes a bold statement and can be dressed down for day, as it is here with skinny jeans, aviator jacket and brogues, or dressed up for a night out with a pencil skirt and heels.

I love the way this fair-goer has used volume in her ensemble, balancing a voluminous blouse with skinny tailored trousers. The kitsch vintage print and button detail on the oversized blouse are really cute, but skinny trousers and patterned ‘brothel creepers’ toughen up the look considerably. Extra points here for the most striking haircut!

Even more polka dots! Ok, I may have a slight obsession… However, I couldn’t not take this girl’s picture. I love the oversized spots and the shape of this dress, a really unusual, ’80s-style double-breasted cut. The way this stylish shopper played with proportions by layering also stood out for me; the cropped trousers and bracelet-length sleeves under the dress add an extra dimension to the look.

The weather may have been rainy outside but this summery look brought a touch of sunshine to Spitalfields. I like the way an overtly girly pleated net skirt has been paired with a fun printed top in coordinating colour; the mushroom colour of the skirt is picked up in the print of the T-shirt. The straw trilby completes the easy breezy holiday vibe of this look – now where’s the sun?!

Some great use of colour here too: the block colours of the bright blue colour pop trousers and clashing peach converse and handbag are picked up in the colours of this ’80s-tastic stylised floral print top. I like the reflective aviator glasses and pink toy watch too.

I liked the use of neutrals in this lovely feminine outfit. Neutrals can be really hard to pull off, especially when several shades are involved, but this vintage shopper gives a lesson in how to work them. It’s all about contrasting textures to break up the look, such as floaty chiffon with a crisp cotton shirt in the above outfit, and choosing complementary hues: here the blouse is pink-toned and the beige skirt also has a touch of pink.

This has to be the most striking outfit of the day – WOW! This bold all-in-one is really ’80s, I love the unusual pattern and bright yellow hue. I enjoy the use of proportion here too; the exaggerated shoulders of the jacket balance out the skintight lower half of the outfit. The bag has to be one of the most impressive I saw at the fair and those platforms were definitely the highest heels! Kudos! What I liked most about this outfit was the way it perfectly summed up this shopper’s confident, bubbly personality.

Final outfit! I’m a real magpie for patterned shirts and this one really caught my eye. It’s from the vintage shop that the girl in the previous picture works in (these two are friends and probably the most stylish duo at the fair!). I like the oversized collar and unusual print – its owner described it as her “tetris shirt” which I thought was very apt – and the way it’s been styled with the cropped jumper and red leather pencil skirt. Fabulous loafer-style platforms and vintage bag too, and I love all the rings.

Thanks again to Kieran for asking me along, and to Sophie who managed the fair on Saturday and scouted some outfits with me in the latter half of the fair! I officially can’t wait until the next one. See you there!

We Are The Champions (Part One)

As I mentioned in my post on Thursday, today I was at Spitalfields to shoot street style pictures and award £200 of vouchers to the 20 most stylish vintage shoppers! It may have been Super Saturday at the Games today, but at Judy’s it was Super Style Saturday! Here are the results…

I loved this Sandy from Grease meets nineties grunge look. This stylish shopper balanced glamourous skintight trousers (American Apparel’s ‘disco pants’ I think) with a simple printed T-shirt, mannish, oversized denim jacket and black patent Dr. Martens. Look carefully and you will see the Olympic rings printed in her undercut hairstyle style – now that’s commitment to sporting style. Love the vintage doctor’s bag too!

Military influences were all over the catwalks for A/W ’12. A military style jacket gives a feminine lacy dress such as this one a tough edge. Nineties references are everywhere too, so this jacket ticks two trends in one. I spotted plenty of similar style nineties camouflage jackets on the retro-filled rails today so get down to the Affordable Vintage Fair if you want to snap one up! Top marks for the white Converse and sporty backpack too – practical and stylish.

This retro ensemble was a stand-out for me because of the sheer attention to detail. From the top of her beehive to the tips of her Mary-Janes, you have to reward this girl’s commitment to vintage. The chic printed shift dress and matching retro red accessories could give Betty Draper a run for her money in the ladylike stakes.

Clever accessorising adds personality to a simple black-skirt-with-white-blouse-combination. Pops of burgundy stand out against the monochrome base and chunky metal jewellery toughens up a school chic, girlish outfit. I absolutely love the attention-to-detail of this outfit, which carefully balances girlyness and masculine touches, for example the way chunky shoes are paired with cute ankle socks. I absolutely love the hat – especially with the co-ordinating pink streak in the hair!

The classic trench is hard to beat, and this gorgeous leather-trim trench gives a quintessential design a modern update. I loved how this stylish shopper paired hers with tailored shorts and a feminine floral shirt. Note the gold Western-style detail too – it’s all about the collar for next season. The neon belt gives a pop of colour and round retro frames top a winning look.

This ’60s style ensemble caught my eye – the anorak and skinny trousers are Mod perfection. I love the combination of khaki and dusky pink too, and the way the jacket balances the softness of the pink trousers and ditsy print shirt. I loved the brogues too!

The mixture of a gorgeously girly retro print floral dress with chunky boots is always a winner in my book, giving an edge to an otherwise feminine look. I like the cycling shorts underneath the dress too – a great way to increase the everyday wearability of shorter flirty frocks.

Polka dots have to be one of my all time favourite prints. This slouchy jumpsuit is a fun and gorgeously retro way to wear the pattern. I really like the pared back styling too – simple charm necklaces and classic Converse let the jumpsuit do the talking.

This chic vintage fair-goer told me her unusual dress was a Belgian vintage shop find. The slouchy shape and striped pattern are a retro take on this season’s pyjama trend. What I liked most about this outfit was the clever use of colour and prints. The green and grey stripe of the dress are picked up in the accessories: mint and green polka dot tights, mint floral tote and those gorgeous mint brogues. The subtle mixing of prints works because of the complementary colour palette.

Paisley was all over the catwalks for S/S ’12; from Stella to Céline, designers were championing the retro print. This colourful paisley print paired with the voluminous smock shape nods to seventies style, whilst masculine brogue boots keep the look fresh and modern.

Keep your eyes pealed for part two tomorrow!

Sartorial Jubilations

Unless you’ve been hiding under a rock I’m sure you’ll know that this weekend is Queen Elizabeth II’s Diamond Jubilee, the anniversary of a whopping sixty years on the throne. Alongside Queen Victoria, she is the only other monarch to have celebrated a Diamond Jubilee and various events are taking place up and down the country to mark the occasion in style… but I’m sure you knew that already!

Some may find it a bit twee, but this kind of thing doesn’t exactly happen very often, and I think we should embrace it- why not?! Has your patriotic side come out this weekend? I know mine has!

This weekend has been filled with bunting, Union Jacks, street parties and British-themed baking; only red white and blue will do. In addition, all eyes have been on the royals’ appropriately-hued attire. For the first day of the Jubilee celebrations, the Queen wore a royal blue crepe wool coat by Stewart Parvin and matching hat by Rachel Trevor Morgan to the Epsom Derby. Today, for the Thames Jubilee River Pageant, she donned an ivory boucle coat by Angela Kelly embroidered with gold, silver and ivory spots and embellished with Swarovski crystals; Clarence House said this was to reflect the River Thames, such a lovely touch. The Queen’s official dresser spent 12 months planning the ensemble which was reminiscent of the dress she wore for her Coronation. Today, the Queen’s outfit really stood out against the reds, golds and purples of the royal barge. You can really tell how much thought is put into the Queen’s sartorial choices – I think that merits its own post – and I predict tomorrow she will be wearing red!

Kate Middleton looked stunning in cherry red today; she wore the shade when I met her at the launch of the University of St Andrews 600th anniversary celebrations and I thought she really suited the colour. It was a vibrant colour choice but the tailored dress with box pleat skirt was appropriate for the occasion and Kate definitely didn’t out-shine the Queen. As soon as she stepped out today I squealed to My mum “she’s wearing McQueen!” I recognised the dress immediately: it was very similar to one that had caught my eye a while ago (I posted about it here) and I saw it again recently (and was extremely tempted) when it appeared reduced from £1200 to £500 on The Outnet! Kate’s must be a custom design as it has a more demure knee-length skirt and longer length sleeves appropriate for the event. I was pleased to see my predictions were proved correct when Clarence House confirmed Kate was wearing Alexander McQueen. I know, I’m a bit of a fashion geek! I was also incredibly flattered when Grazia’s Fashion Director Paula Reed praised my spotting skills on Twitter! Kate also wore a matching red hat by Sylvia Fletcher from royal milliner James Lock & Co and her trusted LK Bennett nude court shoes, and she carried a scarf in Strathearn tartan (a nod to her Scottish title – the Countess of Strathearn).

Camilla also stuck to her signature look and tried and tested combination of Anna Valentine creamy tailored coat and dress and Philip Treacy hat; she wore both designers for her own wedding as well as William and Kate’s nuptials. Princess Beatrice wore a silver and navy dress with complementary coat by Marni and Princess Eugenie donned a coral Roland Mouret dress, paired with LK Bennett heels, Anya Hindmarch bag and black and coral Stephen Jones hat.

I look forward to seeing more Jubilee outfits tomorrow for the Jubilee concert – will Kate be in blue or white?!

What about you? What have you been doing and wearing to celebrate the Jubilee? The whole thing is definitely a good excuse to dress up! Here are some ideas I had, in a patriotic colour pallet and with a few kitsch Jubilee-inspired pieces thrown into the mix:

Jubilee Outfit 1

Miss Selfridge winter white dress, £37; Acne suede leather jacket, £1,000; Alex Monroe silver jewelry, £165; Kate Spade cocktail ring, $63 Posh Pooch Shopper, Topshop; £10; Tatiana 025 shoes formula Samsøe Φ Samsøe, 1.400 DKK.

HRH the Queen loves a colourful cover-up and this feminine white Broderie Anglaise sundress from Miss Selfridge would make the royal blue Acne biker jacket pop. Jewellery designer Alex Monroe is fast earning a cult following and his Best of British collection, including this crown charm necklace, is the perfect mix of style and humour – what could be more British? Topshop have a fantastic kooky Jubilee-themed range and I think the Queen would approve of this corgi print tote! Lastly, to complete the colour trio a red Kate Spade cocktail ring and some red suede boots - I recently discovered Danish brand Samsøe Φ Samsøe and I love their simple, chic Scandinavian designs.

Jubilee Outfit 2

Current Elliott stretch denim jacket, £250; Dorothy perkin, £39.50; Zara heel sandals, $80; Charlotte Olympia clutch handbag, £595; Alex Monroe chain necklace, £135.

A vintage-style sundress taking inspiration from the decade of the Queen’s coronation would be high on my list of outfit options. This retro white and blue Dorothy Perkins floral frock is perfect, and pairing it with a bright denim jacket, such as this vibrant red one by Current Eliott, and a pair of sporty-inspired shoes such as these Zara heels, would give the look a modern twist. Another Alex Monroe charm necklace – this time a rose gold fox – adds a cute touch. Charlotte Olympia is another British brand combining eccentricity and humour with high end design;  I’m a big fan of Charlotte Dellal’s quirky designs and this Union Jack perspex clutch is just the right amount of kitsch.

Jubilee Outfit 3

Print dress, Topshop, £38; Vintage jean jacket, £38; Zara messenger bag, $90; Etrusca ruby jewelry, John Lewis, £48; Alexander McQueen Spine Lace God Save Mcqueen Pashmina, $790.

I’m currently coveting this retro-style cute-collared frock from Topshop, the tailored cut and ditsy pansy print are the perfect balance of girly-yet-grown-up. I would wear it with an oversized boxy denim jacket to balance the femininity and vintage style slippers such as these Pretty Ballerina flats. I’d give the look a pop of colour with this red Zara bag (very Céline) and this gorgeous Alexander McQueen “God Save McQueen” scarf – I think Kate would approve.

Jubilee Outfit 4
This Boutique by Jaeger sailor dress is something I could also see Kate wearing. She often nods to military style with her ensembles, for example with the McQueen military detail shirt she has worn on a couple of occasions. I would give this girly dress a bit of an edge with chunky black ankle boots and a statement red lip. Some more pieces from the Topshop range: bunting print socks and a crown ring, and I love this Limited Edition sparkly Nails Inc nail varnish! The Cambridge Satchel Company encapsulates British design heritage and high quality manufacturing; based on traditional Oxford and Cambridge satchel designs, the hand-made leather bags have become a cult fashion buy. I’m particularly enamoured with the satchels as I used to take this exact style of satchel to primary school and loved it to bits. I especially like this bright red version – and appropriate for the occasion too!
Jubilee images – Mail Online 

Bicester Village British Designers Collective

The British Fashion Council (BFC) is the guiding force behind British Fashion: promoting our country’s talented designers to a global market and developing our status in the international fashion arena. Thanks to the work of the BFC (which was formed in 1983 out of the Fashion Industry Action Group), London is now considered one of the “Big Four” fashion capitals. The cornerstone of the BFC is their support of young designers; this ethos of encouragement is something that attracts many to London as a creative centre. 

The BFC have recently collaborated with chic outlet Bicester Village: tomorrow marks the return of Bicester Village’s annual Designers Collective, now in its third year. The collaboration allows emerging design talent a platform to showcase their collections in a highly-anticipated pop-up boutique at Bicester Village. Iconic pieces from seasons past by up-and-coming designers as well as established labels will be available for purchase with up to 60% off.

The boutique will play host to designs by some of the hottest names in British fashion: pieces by Bella FreudEmma CookHolly FultonJonathan SaundersLulu & CoMarkus LupferMarios SchwabPauric SweeneyPeter Pilotto and Preen will fill the rails. The eagerly-anticipated event means those in the know can pick up a piece of fashion history from recent collections at a much more affordable price. In addition, the menswear version of the pop-up shop will launch to coincide with the first ever London Menswear Fashion Week in May.

BFC ambassador Alexa Chung launched the pop-up store this morning, “I’m really proud to be supporting the British Designers Collective on this Bicester pop-up store,” said Alexa. “It features some really exciting and amazing designers this year, and I can’t wait to have a good shop. You’ll find me rummaging through the rails!” Chairman of the BFC Harold Tillman expressed his excitement at the collaboration: “This is a unique platform for London Fashion Week designers to showcase their designs to new audiences.”

I know what I’d have my eye on; Jonathan Saunders’ jersey creations, Markus Lupfer’s witty knits and Holly Fulton’s geometric prints. If you can get to Bicester Village I would thoroughly encourage a trip! It’s our national duty after all…

Image credit – Bicester Village

Buy British

Retail genius Mary Portas is back with a new Channel Four series ‘Mary’s Bottom Line’. If you haven’t watched it yet I urge you to do so: go go go! 

In recent years, the Queen of Shops has gone from saving individual boutiques and transforming charity shops with her ‘Living and Giving’ concept, to going undercover to investigate the lack of customer service at some of the nation’s biggest retailers, and launching her own clothing, footwear and accessories collection. Last year Mary was commissioned by David Cameron to lead an independent review of the ailing High Street and outlined her 28 recommendations in The Portas Review (December 2011).

Her latest mission really struck a chord with me. When launching her own fashion line, Mary aimed to ensure it was as British-made as possible, but soon realised this was a major impasse.

Britain was once a major manufacturing centre in world trade, with every step of the manufacturing process taking place on British soil: our world-class clothing industry being one example. However, with cheaper manufacture overseas, imports soon exceeded exports and our skilled manufacturers shut their factories and stopped producing goods in this country. Mary wants to kick-start the UK’s clothing industry by manufacturing every woman’s wardrobe staple: knickers! 

Middleton near Manchester used to be a centre of manufacturing industry but now the factories lie empty. Mary has re-opened the sewing room floor of Headen and Quarmby, established in 1935 and once one of the eleven thriving textile factories in Middleton: the nightwear manufacturer is the only one remaining. The factory used to produce thousands of items per week before it was forced to send production abroad when competition from cheap imports dominated. To start her production line, Mary recruits eight apprentices and trains them up with manufacturing experts to make the products at Headen and Quarmby.

…and that’s as far as we’ve got! The final product is on sale at Liberty London and Mary tweeted earlier that the “Kinky Knickers” will be stocked in John Lewis, Boots, ASOS and House of Fraser. I’m looking forward to hearing the rest of the story and really hope this all-British underwear becomes a success. I have a sneaking suspicion it will be with the Queen of Shops behind it! 

With rising manufacturing costs in Asia, Mary believes now could be our chance to shine. Furthermore, all eyes are on Britain’s fashion industry at the moment, with the latest crop of design talent combining creativity and commerciality. However, the manufacture of these clothes takes place abroad. Wouldn’t it be fantastic if these emerging designers could produce their designs in the UK too, with every stage from a sketch on the page to the finished clothing taking place on home soil?

We’re constantly being told to “Buy British” and pick up home-grown produce in our supermarkets, but when it comes to the clothes we wear it’s still a different story. I think it’s time to change that. And I think our generation is the one that needs to get behind it. I feel like the tide is turning and the country as a whole needs to re-think its priorities, whether that’s saying yes to paying a few pounds more for our knickers to be made in the UK rather than one pound imported pairs on the High Street (that frankly lose shape after their first wash anyway), or campaigning to bring back former industries. I don’t know much about economics, but surely creating jobs is one way to reduce unemployment; our once-thriving textiles industry could be a place to start.